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1.  Movie Name :   Avengers: Endgame
The grave course of events set in motion by Thanos, that wiped out half the universe and fractured the Avengers ranks, compels the remaining Avengers to take one final stand in Marvel Studios' grand conclusion to twenty-two films - Avengers: Endgame.

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Marvel saves the best for last – at least in terms of this phase of its sprawling cinematic universe – with Avengers: Endgame, the culmination of its decade-plus run of interconnected films, which offers not only surprising twists and electric superhero spectacle, but also routine chances for its illustrious cast to actually act. Helmed by Joe and Anthony Russo with the same juggling-multiple-strands craftsmanship they brought to their prior franchise installments, this latest saga finds Earth’s Mightiest Heroes trying to undo big bad Thanos’ (Josh Brolin) population-halving “Snapture.” To discuss plot particulars would be to spoil some of the fun, although it’s safe to say that its biggest kicks come from its self-referential fan-service nods,its ability to embellish every portentous moment with character-specific humor, and its satisfyingly cohesive conclusion. It’s a superior piece of tentpole cinema, thanks in large part to A-game performances from stars Robert Downey Jr., Chris Hemsworth, Chris Evans, Scarlett Johansson and Mark Ruffalo.

1.  Movie Name :         The Lighthouse

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The allure of the light drives two men into pitch-black madness in Robert Eggers’ The Lighthouse, a work of period-piece insanity that more than fulfills the promise of his 2015 debut The Witch. On a New England rock enshrouded in crashing-wave mist and bombarded with torrential rain, 19th-century lighthouse keepers Thomas Wake (Willem Dafoe) and Ephraim Winslow (Robert Pattinson) tend to their duties, with the former manning the illuminated tower and the latter maintaining their domicile and coal-burning furnace. Their laborious toil is compounded first by interpersonal tensions over Wake’s possessiveness regarding the lighthouse itself, and then by run-ins with squawking gulls (vessels for dead sailors’ spirits, says Wake) and visions of slimy tentacles and inviting mermaids. Shot in luminously grainy 4:3 black-and-white that gives the action the look of a weathered old photograph, scored to unholy bellowing and siren shrieks, and driven by ornate storybook dialogue fit for a nautical nightmare, it’s a film about guilt, shame and greed (and the psychosis it begets) that exudes cramped, soggy malevolence. Dafoe’s curse to the maritime gods is an all-timer, and a superb Pattinson matches his sloshed, wild-eyed lunacy step for floorboard-creaking step. Eggers eventually drowns his material in slithering sexualized imagery of a crazed sort, and caps things off in a manner that’s all the more cautionary-tale haunting for remaining so unforgettably oblique.

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